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Veduta dell'Arco di Settimmio Severo | View of Septimus Severus Arch

Part of the collection: Italian graphics

Popularization note

A view of the ancient Arch of Septimius Severus (145/146-211), was presented by Giovanni Battista Piranesi (1720-1778) in a perspective close-up, facing the Capitoline Hill towards the Forum Romanum. A street built up with tall, modern houses runs in the background. The ruins prominent on the right are the fourth-century temple of Saturn, and the lone column on the left is probably the Column of Phocas, built in honour of the emperor of the Eastern Empire in 608. The arch is decorated with bas-reliefs depicting the victorious procession of Septimius Severus. Its lower part has been buried by layers of soil accumulated from land erosion above, as well as rubbish that has accumulated over the centuries. In the neglected area around the monument, paupers from Rome gather, presumably waiting for a donation from tourists. The monument, according to the inscription on the beams, commemorated two victories over the Parthians by Septimius Severus and his sons Marcus Aurelius Antoninus called Caracalla (188-217) and Geta (189-212). Constructed of white marble in 203 triumphal arch was built near the base of the Capitoline Hill, east of the relics of the temple of Jupiter, and consecrated in 206. It was erected in honour of Caesar Septimius Severus and his descendants gained through war victories. The Veduta dell'Arco di Settimio Severo engraving was first featured in the work of G.P. Piranesi's Vedute di Roma in 1772. The present engraving, on the other hand, was published in 1783 or later. Piranesi was active in Naples and Venice, yet predominantly in Rome, where he initially worked as an agent and dealer of engravings by Joseph Wagner (1706-1780), before setting up his own engraving studio in Via del Corso. He was interested in antiquity and archaeological research himself, as demonstrated by the title of honorary member of the Royal Society of Antiquarians in London, which he received in 1757. In 1761, once he was an established artist, the Academy of St. Luke in Rome also welcomed him into its honourable circle, and in 1767 Pope Clement XIII granted him a knighthood. Ewa Gwiazdowska



Signatures and inscriptions:

  1. Sign > watermark;inscription: VAN GELDER Z(...)
  2. Inscription: IMP CAES LVCIO SEPTIMIO M FIL SEVERO PIO PERTINACI AVG PATRI PATRIAE PARTHICO ARABICO ET | PARTHICO ADIABENICO PONTIFIC MAXIMO TRIBVNIC POTEST XI IMP XI COS III PROCOS ET | IMP CAES M AVRELIO L FIL ANTONINO AVG | PIO FELICI TRIBVNIC POTEST VI COS PROCOS P. P. | OPTIMIS FORTISS(...)SQUE PRINCIPIBVS / OB. REM PVBLICAM RESTITVTAM IMPERIVMQUE POPVLI ROMANI PROPAGATVM | INSIGNIBVS VIRTVTIBVS EO(…) DOMI FORISQVE S. P.Q.R.
  3. Inscription: Veduta dell’Arco di Septimio Severo
  4. Inscription: Cavaliere Piranesi del. et inc:

Information about the object

Information about this object

Author / creator

Piranesi, Giovanni Battista (1720-1778)

Object type

etching (print)

Technique

etching

Material

watermarked ribber laid paper

Origin / acquisition method

purchase

Creation time / dating

not before 1783

Creation / finding place

powstanie: Rzym (Włochy)

Owner

Muzeum Narodowe w Szczecinie

Identification number

MNS/Graf/4226

Location / status

object is not displayed now

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